Artist (discontinued). Valve Guitar System. Documentation. _Vpdf [ KB]; Owner’s Manual-English [ MB]. Artists. Burn · Tramcar Revolution. Artist Login · DigiTech. Products. Back. Products · Pedals. Back. Pedals · Band Creator · Distortion / Overdrive / Fuzz · Whammy/Pitch · Loopers / Delay · Reverb. Download Free DigiTech User Guide pdf. This DigiTech Instruction Owners Manual contains the information you need when.
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Appliance should not be used near water e. President of DigiTech S. Make sure that connection is turn up the amplifier’s main volume to the desired level.
You may get some interesting results. Good luck, and thank you for choosing DigiTech. Your was carefully assembled and packaged at the factory. The warranty registration card must be mailed within ten days after purchase date to validate this warranty. DigiTech warrants this product, when used solely within the U. Parameter either locally or globally.
When the is in Edit mode, the Page knob is used to scroll through the pages of the selected Module. A successive press will also return the to Program mode. It is a balanced-TRS connector. It is fed respond to incoming MIDI messages, including Up to in the Whether it be live or in the studio, just This feature is also ideal to use in has 2 user definable LFOs in each program that the manusl or live to give you a little extra punch for can be assigned to any Parameter.
The signal leaves the unit after the Wah section of the and returns just before the Digitsch distortion paths. The following diagrams offer some ways your can be connected. In all the diagrams we have shown use of the external FX loop this is of course, optional. Then, if you prefer to use an additional effect unit in the signal path, you can utilize the programmable mono fx loop of the In doing this, you will want to run from the fx send of the into the selected effect unit.
Cabinet Emulator of thechances are pretty good The display shows the information you need, but to make things even easier digietch you, illumination of the front panel buttons offers additional operating information. But we at Digitech suggest that you keep it a little lower than that we would prefer that you purchase our products instead of hearing aids.
The following, explains both modes of operation.
The Store procedure allows you to rename, relocate and save any modifications you have made to Programs so that they can be accessed easily later. The display looks something like this During the course of editing Programs, you may find that you want to compare the edited version of the Program to the original, stored version.
The Store procedure allows you to rename, relocate and save any modifications you have made to Defaults so that they can be accessed easily later. In any given situation, however, you may want to tweak a module just a tad or more than a tad.
The parameters of each Effect Module are reached through a series of pages. So, they consume their food from the FX pies chart referred to on page 4.
Since some of these effect modules have a larger appetite than the others, they require more pie. To help divide up the pie, we have provided you with a chart below that tells you what size of effect block that each will fit in. This helpful chart will also let you know if the selected module is either a: Mono, Stereo, or Dual output configuration.
The days of having to sacrifice reliability for the great tonal characteristics of an old British or American tweed pre- amps are now just a thing of the past with the tube preamp distortion section of the The great thing about the is, you are not limited to just one preamp sound setting. You can have anything from Vintage Tweed to a British EQ and Mix changes on the fly. The Global EQ can also be set to Local mode to control only the selected pro- gram.
It can best be described as mil- lions of small echoes mwnual decay over a period of time. Rigitech size of the room, the surface type of the walls, or the car- pet on the floor all contribute to the way real reverberation behaves and sounds. Unlike flat surfaces, these materials reflect diffuse the sound in many directions because of the irregularity of the surfaces themselves. This builds smoothness over the reverb progression.
Ranges from 0 to milliseconds. Aside from the more obvious speed and depth parameters which adjust respectively how fast and far the sound goes maunal of tunethe allows you to use different waveforms. The waveform defines how it will move in and out of tune. The triangle waveform is very popular for slow, shallow chorus settings, while the sine waveform works nicely for faster, deeper settings.
Ranges from 0 to 10 milliseconds. Flangers are capable of both positive and negative feedback loops, so experiment to find the sound you like best. The sine wave setting is probably the most easily recognized, but the smooth response of the triangle wave or the intensity of SP1 or SP2 typically pro- duce better results.
Aside from speed and depth parameters, the tremolo also has an LFO waveform that determines the way a signal’s volume is increased and decreased. While the Sine wave is probably the most common to the ear, the Triangle and The Auto Panner’s Speed typically doesn’t get set as fast as the Tremolo since you usually want a sound manuxl move smoothly back and forth in the stereo image.
The auto panner is especially flexible since it can be used for either mono or stereo input sources. When used with a mono source, the signal pans back and forth as described As DTN moves away mankal zero, dissonance becomes more pronounced. Low DTN settings can be useful for thickening or enhancing the imaging of the source material.
The delays have a feedback meter that is used to send a por- tion of the delayed signal back to the input to be re-recorded along with new source material. You can “TapIt” as often as you like to make sure you really nail that downbeat. Graphic EQs give you control of the levels for fixed or pre-selected frequencies bands that are evenly spaced. They all cover the complete range of frequencies, but the spacing between the 31 bands is much closer digitecy the 8 bands, therefore offering more exact con- trol mabual the sound.
Parametric EQs offer the added flexibility of letting you define the center frequency you want to adjust, and how maanual frequencies around that center frequency you want to affect. When using a guitar for example, it creates the swelling sound usually associated with volume pedal or a pinky fin- ger on the guitar’s volume knob. The can take care of this for you so that you hands or feet are free to do more important things. Whether it be a subtle chorus Detune, or an all out 2 octave Whammy Dive, this thing is a definite attention getter, and first-call studio effect.
At this divitech, the Whammy effect mankal possibly log-in as much studio time as Chet Atkins.
DIGITECH 2112 Manuals
Min Detune This parameter sets the minimum pedal level of detune effect. Max Detune This parameter sets the maximum pedal level of detune effect. Every Program in your has a set of Modifiers. Up to 16 Modifier links can be assigned to control any parameter. There are five types of Modifiers that can be linked to a parameter: In this day and age where the role of the Guitarist has taken on so many new responsibilities, his or her equipment has to be fast, and has to be able to communicate with other devices at the drop of a hat.
SysEx Device channel or Program maps.
Factory or User pro- grams to be changed. On power up, this map will default to the normal MIDI map. Send CC information on CC Since the Control One talks to the using a proprietary communication protocol, it offers better response time and capabilities not available with convention MIDI pedalboard controllers.
The Foot Controller setup menu contains all the setup options necessary to use the with the optional DigiTech Control One foot controller. The submenus included under the Foot Controller setup are located on pages 10 and 11 of the utilities menu and they include: The footswitches on the Control One can be assigned to do several functions. This is done through the Foot J12FC: If you are using the Control One for the only, you don’t need to worry about setting up this option.
Cfg-7 Clean Comp Delay. To help all of you Tone and Effect connoisseurs along the way, this list gives you a brief description all Factory Programs of the Twin Combo – The only closer emulation of a Twin would require that the have a tweed front panel. So, the harder you pick, the faster the phaser speed. The System Exclusive header starts with the System Exclusive status byte, and includes all bytes through the DigiTech device type. All SysEx numbers in the format definition of each procedure are given as hexadecimal values, along with this symbol h for clarification.
The Receive One Program procedure is used to load a program into the The number of program bytes to be received n is different for each program. If the is sent a Receive One Program procedure where the program number is not a valid RAM destination, it will be ignored. Please refer to the Parameter Charts for more information.
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Code echoed for the Key Scan received. Numbers are given manula hexadecimal values. Key Label Hex equivalent Key Label It takes you set by step through all of the operation commands of a typical SysEx procedure.
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