Henri Dutilleux. Choral, Cadence et Fugato, for trombone & piano. Composition Information ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter. Dutilleux’s Chorale, Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire, yet it remains a frequent. Henri Dutilleux – Composer – Choral, Cadence et Fugato for Tenor Trombone – Music Sales Classical.
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Dutilleux Chorale, Cadence & Fugato
String Instrumentation Sutilleux Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example: This is standard orchestral nomenclature.
Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass.
Multiples, if any, are not shown in this system. Other Required and Solo parts follow the strings:.
Choral, Cadence et Fugato is a beautiful work for the advanced player. The seven minute piece begins with a lovely lyrical chorale tune in the trombone accompanied by lush piano chords.
One of the more important recital works in the repertoire. Copland Fanfare for the Common Man [ A successful performance depends upon a strong high range, excellent rhythm and mature interpretive skills.
Also, it should be noted that Euphonium can be doubled by either Trombone or Tuba. Letters that cadende duplicated as in A in this example indicate multiple parts. Other Required and Solo parts follow the strings: David Vining, assistant professor of trombone at the University of Cincinnati College-Conservatory of Music, offers recitals and clinics to brass players and musicians of all ages.
Henri Dutilleux – Choral, Cadence et Fugato for Tenor Trombone – Music Sales Classical
The first dutolleux stands for Flutethe second for Oboethe third for Clarinetthe fourth for Bassoonand the fifth separated from the woodwinds by a dash is for Horn. Percussion is abbreviated following the brass. The fanfare proceeds into the high register where the piece concludes on a fortissimo high B-natural with an E major chord in the piano. Students duti,leux are new to this work are in for a fugaato and will find much to like about this piece, especially upon discovering the interpretive possibilities throughout the work.
Composed for the French pedagogue Andre LaFosse, Choral, Cadence et Fugato has appeared on required lists for various solo competitions over the years but has not found its way into the mainstream of trombone recital programming. This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble.
Saxophoneswhen included in orchestral music they rarely are will be shown in the “other instrument” location after strings and before the soloist, if any. And finally, here is one more way to visualize the above code sequence: The first number stands for Violinthe second for Dutillfuxthe third for Celloand the fourth for Double Bass.
Note also that the separate euphonium part is attached to trombone with a plus sign. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this: While this instrumentation has come to be common, it is still not “Standard” as many Brass Dectets use very different forces, most often with more Horns than PJBE.
The fugue theme, first stated in the low register of the piano, is angular and rhythmic. Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:. The cadenza features a dramatic piano tremolo over which the trombone plays phrases of increasing intensity. For orchestral music, saxes are at the end see Saxophones below.
As the title suggests, Choral, Cadence et Fugato is divided into 3 distinct sections although the sections segue smoothly from one to another. Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the principal instead.
This section is in E major and travels up to high B-natural and down to pedal B-flat before settling on a long low E.
Dutilleux Chorale, Cadence & Fugato for Trombone Solos w/Piano
It consists of the forces Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. There is no low brass.
Example 3 – MacKenzie: In this case, the winds are all doubled 2 flutes, 2 oboes, 2 clarinets and 2 bassoonsand there are two each horns and trumpets.